XLR Male to 1/4 Inch TS Mono Microphone Cable, 25 ft

Rehearsal rooms, school halls and church PA racks all share one cabling job: a microphone that has to reach an amplifier or powered speaker which only offers a 6.35 mm jack socket. This 25 ft (7.6 m) lead does exactly that — a locking 3-pin XLR male at the microphone end, a 1/4 inch TS mono plug at the amp end, and enough length to route the run along the wall instead of across the floor.

The cable itself is a low-loss heavy-gauge build: 22 AWG conductors under a 95% spiral-wound shield, inside a flexible 6.5 mm black PVC jacket, terminated in nickel-plated zinc-alloy XLR connectors. One honest scope note: TS mono is an unbalanced connection — fine for short-to-medium runs and modest stage volumes, but for long runs near lighting or in high-interference venues, a balanced XLR-to-TRS line is the cleaner tool.

Key features

• 3-pin XLR male to 6.35 mm (1/4″) TS mono plug
• 25 ft / 7.6 m — wall-route friendly length
• 22 AWG conductors, 95% spiral-wound shield
• Nickel-plated zinc-alloy XLR connectors
• Flexible 6.5 mm black PVC jacket

Specifications

Typical applications

• Rehearsal-room mic-to-amp runs
• School and church PA patching
• Small PA systems with jack-only inputs
• Stage monitor amps at short range

Custom and OEM options

Length, jacket colour and connector plating run per order; samples ship in 3–7 days for approval before volume, and packing can be PE bag, header card or your own artwork.

FAQ

Is this a balanced cable?
No — TS mono is unbalanced. It works well for the short-to-medium runs it is sized for; long runs in electrically noisy venues should use a balanced XLR-to-TRS lead instead.

Does the XLR end lock?
The zinc-alloy XLR uses the standard positive latch, so it seats firmly in the microphone’s socket like any professional mic lead.

Samples, packing options, payment terms and warranty conditions are set out in How to Order and Delivery Information.