Right-Angle XLR Male to Female Microphone Cable

Behind a rack or along the back of a console, a straight XLR plug is the part that gets knocked, crushed or unseated. This cable puts a 90-degree male connector at that end: the plug lies against the chassis and the cable drops straight down, so the connection survives close quarters — stage boxes, rack-mounted EQs and limiter loops, cameras with crowded XLR bodies.

The signal path is high-quality oxygen-free copper in a 6.0 mm OD cable, with gold- or nickel-plated contacts in zinc-alloy connector shells and internal strain relief for rugged reliability. Because XLR3 carries DMX512 equally well, the same lead patches lighting fixtures and controllers — one cable type, two departments of the same show.

Key features

• 90-degree XLR male to straight XLR female
• Oxygen-free copper, 6.0 mm cable OD
• Gold- or nickel-plated contacts, zinc-alloy shell
• Internal strain relief for rugged reliability
• Works for mic/line and DMX512 signal

Specifications

Typical applications

• Mics on cameras with tight XLR ports
• Rack rear panels: EQ, limiter, crossover
• Stage box and console patching
• DMX512 lighting runs

Custom and OEM options

Length, plating and colour run per order; samples ship in 3–7 days, with packing to PE bag, header card or your artwork.

FAQ

Can it carry DMX and audio interchangeably?
Yes — the connectors and cable spec serve both; DMX fixtures and audio gear share the same XLR3 pinout at 3-pin.

Which end is right-angled?
The male end. It plugs into the chassis that sits against a wall or rack — the place where straight plugs get knocked out.

Samples, packing options, payment terms and warranty conditions are set out in How to Order and Delivery Information.